Sunday, January 29, 2012

Pipe Dreams

My beloved right-wing correspondent was kind enough to pass along an NRO article from Victor Davis Hanson, who is always good for a few laughs. In this case he leads off a lengthy kvetch about the Keystone XL pipeline decision by saying "it is hard to remember a presidential decision that had as many negatives as this one."

I guess it's "hard to remember" the downside to the invasion and occupation of Iraq, particularly if, like Mr. Hanson, you were an enthusiastic cheerleader for that particular decision. But GOP support for this dubious Canadian pipeline boondoggle is of a piece with using our troops to install a client regime in an even more lucrative oil patch. In both cases frugality with our tax dollars takes a back seat to subsidizing the fossil fuel barons.

The Republican party (along with its attendant think tanks and journals) is so in thrall to the pipeline of dollars from this 19th century technology that they have led a successful 30-year effort to prevent us from transitioning to 21st century clean energy.

If, instead of removing solar panels from the White House in the Reagan Era, we had started buying them for every government building in America, photovoltaics would by now be cheaper than coal. That prospect, long delayed, is now not too far off, thanks in part to the efforts of our global competitors in Asia and Europe.

Republicans are not content with blocking the removal of corporate welfare for the oil industry (about a half trillion over the past century, and half a trillion a year now, on a global basis). On top of all this they keep whining about the inefficiencies and costs of renewable energy (about $6 billion in subsidies over the last 15 years). Their hypocritical efforts at scandal-mongering over Solyndra serve the same agenda of delaying the inevitable as long as possible – not unlike the white South Africans of the Reagan Era.

Of course, the staggering price for all this foot-dragging will be paid by our children and grandchildren in the form of irreversible climate change, and the attendant war, pestilence and famine. Meanwhile Hanson just can't think of any decisions with more negatives than denying a taxpayer-funded straw into another pool of oil.

To make so ludicrous a claim, the author must assume his readers have forgotten that the GOP deliberately forced the rejection of the Trans-Canada deal because, as one congressional aide candidly stated, “It’s a question of whether we’d rather have the pipeline or the issue.” Well, now they have their issue, but as Hanson's article demonstrates, it's pretty thin gruel.

He bullet-points five separate complaints: One is the snarky invocation of the president's desire for large-scale infrastructure projects. There are innumerable such plans the GOP has blocked or dismissed, not least of which would be the transit systems needed to break our petroleum addiction. Most predictable is the concern-trolling over our vast debt, a legacy of our previous GOP presidents (see also the links in my fifth paragraph).

Hanson waves off environmental concerns, and also strains for a national-security dimension, laughably invoking the Iranian bogeyman. This would hold more water if he hadn't advocated the forcible removal of their chief regional rival, to be replaced by a Shiite-majority regime warmer to the mullahs than any other neighbor.

But of course the whole reason the GOP preferred the pipeline as an issue to the pipeline as a reality is so that they could complain about "job destruction." The subsidizee inflates their claim to 20,000 jobs, and while all construction jobs are temporary, any job in this economy is certainly welcome, especially in that distressed sector. Yet the exaggerated claims have already sparked calls for an SEC investigation, as the numbers given to US authorities are 67 times the job creation claims cited in Canada. Moreover, according to XL's own documents, the number of permanent US jobs arising from a completed pipeline would amount to as little as twenty.

Hanson's concern over job creation would have more credibility if the last Republican administration hadn't presided over an economic collapse that shed nearly nine million jobs before it bottomed out early in Obama's term. Since the recession's trough, the economy has added 2.6 million private-secor jobs. The overall employment number would be even higher if it weren't for GOP obstructionism, leveraging and blackmailing forced-austerity policies that have caused continued public-sector contraction.

After all, suppose that we grant the dubious claim that a subsidized pipeline allowing Canadians to export to world markets through the Gulf of Mexico would create 20,000 jobs. Just last month, the US economy added ten times that many. So good luck making an issue out of this. The only way that will work is if one assumes that a pool of credulous low-information voters is an inexhaustible resource. Oh, wait.

Tuesday, January 10, 2012

My Mother Writes to Ask


"Objective journalism is one of the main reasons why American politics has been allowed to be so corrupt for so long." -Hunter S. Thompson 
 Mark, what does this mean? please translate for me. thanks.


Hunter Thompson, of course, was anything but objective, not only memorably saturating his stories with his own turbocharged opinions, but, frequently, injecting himself into the events of the story. But he was also part of a larger movement among journalists who acknowledged that the writer inevitably colors the story with his or her own views, and so strove to be upfront about their stances, while still attempting to be as accurate as possible. This is more akin to the European style of journalism. 


If you consider the great journalists in history, you don't see too many objective journalists on that list. H. L. Mencken was not objective. Mike Royko, who just died. I. F. Stone was not objective. Mark Twain was not objective. I don't quite understand this worship of objectivity in journalism. Now, just flat-out lying is different from being subjective.

The quote refers to Richard Nixon - the next line was "You can't be objective about Nixon." Elsewhere Thompson states that what he wrote about Nixon - specifically, that Nixon was a monster and a crook - was the truth. And that was his truth, as he saw it, which was obvious from everything he wrote about Nixon. But if another journalist's truth was that Nixon was a noble statesman, or that he was just another American politician and should be regarded as such, those truths, too, would be obvious from their writing, whether they tried to conceal it or not.

What Thompson is referring to is the longstanding trope in American journalism whereby the journalist strives to keep his or her own views from being perceived. Instead they speak to influential people from both parties and report what they say, giving each side equal weight.

This allows powerful people to spew pernicious nonsense if they so choose - and choose they do. By dutifully reporting their spin, ostensibly objective journalists become, as media critic David Barsamian put it, "stenographers to power."

The ultimate corruption arising from this format is the treatment of the global warming issue. Knowing that whatever they say would be treated as "one side" of an issue, the fossil fuel barons hired PR firms to churn out propaganda asserting that the planet was not warming, or that if it were, that humanity's industrial processes had nothing to do with it. 

Because powerful people had a vested interest in preventing regulation of their pollution, they "threw sand in the umpire's eyes." This is akin to what the cigarette companies did for so many years before the Surgeon General's report of 1964, or how chemical firms managed to delay the removal of lead from our environment for more than thirty years after European governments had responded to this known neurotoxin.

This corruption allows a handful of people to become fabulously wealthy while dispersing the costs onto the public at large. In this case the costs are dispersed onto the global population, and onto my children's generation. And while these costs are literally incalculable, the scale of this crime makes the tobacco barons look like convenience store burglars. 

As we watch our global climate wrenched into dysfunction, "famine and pestilence" only begins to describe the consequences. Given two decades of studied inaction on the issue, this century will now witness deaths and refugee flows in the hundreds of millions as entire agricultural systems collapse and tropical diseases spread into new populations. Wars over dwindling resources are inevitable, particularly over potable drinking water, as watersheds decline with the snowpack that feeds them. 

Our political paralysis on this issue was bought and paid for - and paid for so well that both conservative voters and the politicians they elect have fallen into step with the industry line. Where just a few years ago, polls showed that voters understood the nature of the problem and wished for it to be dealt with, we now have large numbers of Republican voters denying the truth. Where just a few years ago Newt Gingrich and Mitt Romney agreed that climate change was real and should be addressed, now they sow doubt along with their donor base and decry any attempts to regulate carbon as a threat to free enterprise. 

All this was made possible by objective journalists, who knew damn well that a handful of studies subsidized by the vested interests were contradicted by an overwhelming scientific consensus, but who nonetheless dutifully reported "both sides" of the issue. To do otherwise would not be objective, and moreover, would upset major advertisers. 

Thompson was being explicit about the link between this style of corporate journalism and the corruption of our politics, and both trends have only accelerated in recent years. Journalistic enterprises have been more and more dominated by Wall Street interests dictating the bottom line, and politics, particularly since the Citizens United decision, have become more dependent on monied interests than ever. If he hadn't seen it all coming, Hunter Thompson would be flailing and thrashing in his uneasy grave. 

Monday, January 9, 2012

Monday Random Ten #35

Here are the first ten songs to pop up on my iPod; Artist/ Song/ Album:


1. Jane Siberry/ Everything Reminds Me of My Dog/ Bound by the Beauty

2. Clor/ Making You All Mine/ Clor

3. Robyn/ Electric/ My Truth

4. Neu!/ Negativaland/ Neu!

5. BeauSoleil/ Chez Seychelles/ Roots Music: An American Journey

6. Kronos Quartet/ Flugufrelsarinn/ Kronos Plays Sigur Ros

7. Medasyn/ The Battle/ The Battle

8. Jerry Lee Lewis/ Hillbilly Music/ The Sun Years

9. Billie Holiday/ Just One of Those Things/ Songs for Distingué Lovers

10. Huggy Bear/ Her Jazz/ Taking the Rough with the Smooch

Wednesday, January 4, 2012

Santorum Surges From Behind

Whatever the final tally in last night's Iowa caucuses, that's the obvious headline, given what we know about Santorum. But while humor is an effective political weapon, we have to be careful what we wish for. I can still remember activists hoping for Reagan to get the nomination in 1980, or George H.W. Bush to get the nod in '88, on the grounds that they'd be the easiest to beat.

And as ludicrous as "President Santorum" sounds today, if the economy goes south again, then whoever ends up with the Republican nomination can beat Obama. Under those circumstances, we have to hope that the least crazy among them is the eventual nominee - that is, the least crazy after Jon Huntsman drops out, anyway.

And while, arguably, we might get better results out of President Romney with a Democratic-controlled Congress than from President Obama with a Republican-controlled Congress, the reality is that if the economy deteriorates enough for Obama to be beaten, the GOP will be in control of all three branches, and it won't much matter how sane the president is.

But on the other hand, the best chance at any decent legislation over the coming years is for Obama to win re-election in a landslide, with coattails long enough to hold the Senate (a dicey proposition even in a best-case scenario), and to sweep Pelosi back into the Speaker's chair. So the thing to hope for, first of all, is that the US economy continues to improve and that fiscal conservatives in Europe don 't drag down the global economy with their folly.

And second of all, we have to hope that whoever wins the GOP nomination is as crazy as possible. Since Herman Cain is gone, and given the deep (and justifiable) loathing for Gingrich within the party elites, that makes Senator Man-On-Dog the most plausible candidate for craziest potential nominee and landslide victim.

Of course, back in reality, Citizens United means that GOP party elites are going to nominate who they damn well please and make any chance of a decent Congress a hard-fought battle under any circumstances. So we might as well enjoy the comedy while we can.

Saturday, December 31, 2011

Concerts of the Year

Calexico

Tinariwen

Yamato

Old 97s

Harry and the Potters

Robyn Hitchcock/Baseball Project

Roy Zimmerman

Reverb Brothers

S. Carey/Other Lives

Tucson Women's Chorus

Saturday, December 24, 2011

Top Tens for Twenty Eleven


Appended below is my Pazz and Jop ballot for 2011 - or it will be if they count it. Apparently Village Voice editors are keeping banker's hours and knocking off work at a respectable hour. Their website wouldn't let me post my vote last night at 6:30. 

Either way, most of these bands should finish well; I haven't included any left-field obscurities such as Micachu and the Shapes or Fol Chen, like I usually do. I hesitate to speculate on who may win the poll this year. There's no obvious frontrunner like Kanye was last year, though PJ Harvey is getting a lot of love out there. 

For the first time in my decade of voting in the P&J poll, I've come up with a tie for first place. The TuNe-YaRdS album was my mainstay this year, and I didn't think I'd love anything more, until I heard Strange Mercy for the first time. Both Garbus and Clark are equally committed, talented and idiosyncratic, and both speak to the disjointed, irrational and fragmented state of our country in 2011. 

All these albums - with the possible exception of Let England Shake - sound like they couldn't have been recorded in any century but this one, though most dab liberally at the palette of music styles established over the last half of the 20th. And all of this is rock music of one sort or another. I haven't voted for any americana or hip-hop as I usually do, though plenty of music from both camps moved me. What moved me most, though, was the new force of rock music these ten albums represent. Rock as a market share is weaker than ever, but artistically it's far from played out. 

Jazz music evolved through phases of exploration until it reached a dead end (of sorts) with free jazz, having gone as far out as possible. Since then, the full range of jazz styles, including free, are available on that palette. The difference is that rock music hasn't gone down any one road, and while it may have hit some dead ends, it's not clear that it's gone as far as it can. But here are ten artists who keep driving on. 

(The rules insist that music writers divide a hundred points amongst ten albums, with no one receiving more than 30 points or less than 5. The headings are Points/ Artist/ Album/ Label):


15 points: TuNe-YaRdS/ whokiill/ 4AD
      Somehow our hero finds inner serenity amongst the violence and chaos around her. What Merril takes from Afropop is the rhythmic dominance, rather than the instrumental exuberance that Peter, Paul and David found. This suits her confident stride through the mean streets of Oakland, the neighborhood you wouldn't want to move to. Above all, her chameleonic voice, whether squawking or crooning, lets you know she's got it handled.

15 points: St. VincentStrange Mercy/ 4AD
      She's seen America naked, and it's just another authority figure to her, like a coach or a surgeon. Ms. Clark tones down some of the overt dissonance of Actor, instead hanging woozy curtains of synths in the window. Occasional bursts of light shine through, whether Talking Heads keyboards or Sonic Youth guitars, describing a world of casual cruelties and emotional violence. But in contrast to Ms. Garbus, her calm in the face of it comes off as unsettling. 

10 points: Radiohead/ King of Limbs/ Self-Released
      Some have lamented the relative lack of Greenwood's guitar, but it's Selway's drumming that is the dominant voice here. Both loose and tight, like Ringo in "Tomorrow Never Knows," the drums anchor the listener through the atmospherics. While Thom moans of mortality and "routines and schedules," dreams of abduction by raptors, or blisses out on the universe, Phil keeps insisting on the moment. 

10 points: Girls/ Father, Son, Holy Ghost/ True Panther Sounds
      What a delicious blend of audacity and vulnerability. The sound of a young man with absolute confidence in the recording studio, but less certainty once he steps outside. Mr. Owens careens from new love to broken heart with one indelible melody after another. In a just world, this would be all over the radio. 

10 points: Black Keys/ El Camino/ Nonesuch
      Cranks up the neo without turning down the retro. Enough of a step up from their previous high standards that it feels like they're just getting started. And this world is just enough that it gets just enough airplay. When my iPod shuffled up to it, my middle school art students, who love only diva pop and thug rap, knew it and grooved to it. Hope for the future. 

10 points: Wilco/ The Whole Love/ dBpm
      Wilco haters gonna Wilco hate, but they deliver for their base better than Boehner or Obama ever will. Call it dad rock if you will; this old dad loves it. But most dads I know - Boomer, GenXer or Millennial - don't rock out with this much eclecticism or commitment. If the history they sample from is their own - some alt.country steel here, a migraine murder ballad there - it just shows that they've earned their place. 

8 points: Kills/ Blood Pressures/ Domino
      Harkens back to a time before the sexual revolution was won, when desire was somehow menacing. It may not seem threatening any more, because the good guys won, but it's still overpowering, and in their hands, both focused and relentless. 

8 points: Cults/ Cults/ Columbia
      Okay, it's no new trick to marry girl-group harmonies to 00s fuzz. Nor is it unique to fuse that sunny optimism with darker lyrics. Part of what makes it work are the moments of precocious wisdom in a band so young. Like all strong debuts, it begs the question of what's next - continue to mine this vein, or consolidate and move on? But for now, not a waste of time. 

7 points: PJ Harvey/ Let England Shake/ Island
      A career highlight in a career studded with them. Redolent of British folk rock to the point where it was recorded in an old church - and not coincidentally, one perched on the white cliffs of Dover. While the songs look across the channel to contemplate imperial slaughters of a century hence, it's not hard to make the connection to newer ones further south. 

7 points: Yuck/ Yuck/ Fat Possum
      If you're gonna reach back to 20th-century rock styles, that last decade is fertile ground to plow. They've got style; miles and miles. And not without substance, either - but as to whether all that style is wasted, see question for Cults, above. 


Singles
Girls/ Honey Bunny/ True Panther Sounds
Beastie Boys/ Don't Play No Game That I Can't Win/ Capitol
Hanni El Khatib/ Build. Destroy. Rebuild./ Innovative Leisure
Panda Bear/ Last Night At the Jetty/ Paw Tracks
Gang Gang Dance/ Mindkilla/ 4AD
Beyonce/ Countdown/ Sony
Danger Mouse & Daniele Luppi (Ft. Jack White)/Two Against One/ Capitol
Black Keys/ Lonely Boy/ Nonesuch
Wild Flag/ Glass Tambourine/ Merge
James Blake/ The Wilhelm Scream/ Universal Republic

Monday, December 19, 2011

Monday Random Ten - Best of 2011 Edition

As of today there are 627 songs in my "2011" folder. These are the first ten to pop up on my iPod, Aritst/Song/Album.

1. Group Doueh/ Ishadlak Ya Khey/ Zayna Jumma

2. The Sea and Cake/ Covers/ The Moonlight Butterfly

3. Wye Oak/ Plains/ Civilian

4. The Kills/ Nail in my Coffin/ Blood Pressures

5. Blitzen Trapper/ Might Find It Cheap/ American Goldwing

6. Mati Zundel/ Aero Tinku/ Cuando Yo Bailo, Tiembla La Tierra

7. Major Lazer/ Keep It Goin' Louder [So Shifty Remix]/ Mad Decent vol. 1

8. Best Coast/ Gone Again/ Adult Swim Singles Program 2011

9. Forró In the Dark, Brazilian Girls & Angelique Kidjo/ Aquele Abraço/ Red Hot + Rio 2

10. Atlas Sound/ The Shakes/ Parallax

Monday, December 12, 2011

Monday Random Ten #34

Here are the first ten songs to pop up on my iPod; Artist/ Song/ Album:


1. Teenage Fanclub/ Star Sign / Four Thousand

2. The Pharcyde/ Passin' Me By/ Bizarre Ride II

3. Beach House/ Norway/ Teen Dream

4. Okkervill River/ Lost Coastlines/ The Stand Ins

5. The Contours/ Do You Love Me/ Motown: The Classic Years

6. Jenny Lewis (feat. Elvis Costello)/ Carpetbaggers/ Acid Tongue

7. PJ Harvey/ Grow Grow Grow/ White Chalk

8. Turin Brakes/ Monnlight Mile/ Bottled at Source

9. Bad Brains/ Pay to Cum/ Bad Brains

10. George Harrison/ Give Me Love (Give Me Peace on Earth) Live in Japan

Wednesday, November 30, 2011

That Time of Year

No, not that time. It's the time of year when music geeks everywhere are contemplating their year-end Top Ten Lists. But this year no list-making can commence until this coming Tuesday, when the Black Keys and the Roots will drop El Camino and undun, respectively.

Major releases don't often come out this late in the year; labels try to time their critical buzz, just like studios hold back their Oscar contenders. But these two discs seem to be worth waiting for. The tracks that have leaked so far are oozing awesomeness. The Keys just kicked my butt across the room with "Little Black Submarines," and the vitality of their sound is just my thermos of tea, simultaneously neo and retro. Both albums look like strong contenders for my Top Ten - though as always, there are a lot more than ten strong contenders, and the painful task is winnow them down until ten are left standing.

To my mind, some of the best albums of 2011 were by women. I've already written about Tune-Yards, and the St. Vincent album Strange Mercy is also one of my favorites. PJ Harvey's Let England Shake is one of her best in many years, and of course everybody loves Adele and Florence. I can see those last two cleaning up at Grammy time. Newcomers Cults and Wild Flag are also likely to turn up on a lot of lists.

The other new band I fell for was Yuck, a couple of British chaps with a strong '90s vibe (who have their own blog over here). The Kills also killed me, as previously mentioned. I got a big kick out of the third album by Gang Gang Dance. And then old favorites like Wilco, Stephen Malkmus, Tom Waits and TV on the Radio delivered strong sets as well.

That's sixteen names I've mentioned already, without even bringing up the Radiohead album. Or Bon Iver. Or James Blake. You can see I have my work cut out for me. But next post I'll mention a few of the also-rans that might make good stocking-stuffers for someone on your list.

Tuesday, November 29, 2011

Monday Random Ten #33

Here are the first ten songs to pop up on my iPod; Artist/ Song/ Album:


1. The Ventures/ Pipeline/ The Best of the Ventures

2. Matt Pond PA/ People Have a Way/ Last Light

3. Jets to Brazil/ Resistance is Futile/ Orange Rhyming Dictionary

4. Dead Kennedys/ Rawhide/ Dead Kennedys

5. The Eagles/ Take It Easy/ The Very Best of the Eagles

6. Iron & Wine/ Innocent Bones/ The Shepard's Dog

7. The Plugz/ Hombre Secreto (Secret Agent Man)/ Repo Man Soundtrack

8. Cake/ You Turn the Screws/ Prolonging the Magic

9. Frank Black & the Stax Pistols/ Breathless/ Brace Yourself! A Tribute to Otis Blackwell

10. Totó La Momposina y sus Tambores/ Curura/ La Candela Viva


When I was a radio DJ I used to love incongruous segues, but it never occurred to me to play the DKs back-to-back with the Eagles. Thanks, iPod!

Totó La Momposina is the stage name of Colombian singer Sonia Bazanta Vides.

Otis Blackwell wrote more than a thousand songs, including "Don't Be Cruel," "Fever," "Great Balls of Fire," "Return to Sender," "Handy Man," and "All Shook Up."

Jets to Brazil was an American band that released three great albums between 1998 and 2002. The frontman Blake Schwarzenbach was previously with the punk band Jawbreaker, and now makes his living as an English professor.

Matt Pond PA is the eponymous band of prolific New York-based songwriter Matt Pond. Not sure what the PA is for.