Sunday, April 28, 2013

Ten Worst Things George W. Bush Did

Because on April 25 this smug, self-serving man had a smug, self-serving library dedicated to his memory, he's been in the news of late. Friends and foes alike have struggled, sometimes with awkward results, to find nice things to say about him. Others have made it clear that, given the immense damage he inflicted on our body politic, they will have none of it.

You can find attempts to describe the wreckage from Alternet and ThinkProgress.  You can find some indignant snark from Mother Jones and Daily Kos. One blogger produced a commentary-free list of both positive and negative accomplishments that turned out to be pretty damning in its dispassionate way.

I wanted to take some time to do what I did with Bill Clinton: write up Top Ten lists for the Best Things and the Worst Things he did. This difference here is that while Clinton had plenty of contenders for both lists, with W it's a challenge to pad the former and winnow down for the latter. In order to get a grip on the dystopic torrent of catastrophe that was the Bush presidency, I've combined several of the nastiest offenses into more general categories. This list isn't ranked; you can choose for yourself what you think hurt the most. But I have to start with this one:

1. It's the Sociopathy, Stupid
I'm not just glibly tossing around pejorative rhetoric when I suggest that Bush may be a sociopath. It's an idea that Kurt Vonnegut explained coherently, based on clinical studies of this particular personality disorder - the notion that many of our leaders simply lack a normal conscience. One study shows that as much as 4% of the population may have the disorder, and many of them have attained positions of great power and responsibility: "Because sociopaths are ruthless and will squash their rivals and burn institutions to the ground in order to reach their goals – but great at pretending that they care about people – they are incredibly destructive." That fits our fratboy president to a T. But more than most, he pulled the curtain aside to reveal his abhorrent moral character with remarks that illustrate his sadistic sense of humor. I'm thinking here of moments like the mocking of a death-row prisoner pleading for her life. Or the fist-pump he gave as a kiss-off to fellow world leaders at his final G8 summit, as he celebrated his achievements in quashing action to combat climate change, announcing "Goodbye from the world's biggest polluter." Or how, one year before the invasion of Iraq, while his aides were ostensibly discussing a peaceful resolution to the non-existent problem of WMDs, Bush poked his head in the door and quipped "Fuck Saddam! We're taking him out!" Which is much cuter than the WMD "comedy" video he showed at the White House Correspondent's Dinner, long after the falsehoods of his casus belli had led to needless death and destruction. And even though it wasn't meant as a joke, it's just as instructive to recall the infamous push poll question he used against John McCain: "Would you be more likely or less likely to vote for John McCain for president if you knew he had fathered an illegitimate black child?"Whether such despicable behavior makes Bush a sociopath or not is beside the point: in every case, the cruelty of his remarks prefigures the cruelty of his policies.

2. Invading Iraq: "I'm going to have a successful presidency."
The title here is a reference to the revelation that Bush was planning to invade Iraq even before being elected, and that his principal motivation, as he described it, was to bolster his political popularity as a way of enacting his preferred agenda. Bush's fans will inevitably cite his "taking out" Saddam as one of his greatest achievements, but keep in mind the cynicism underpinning the whole sordid debacle. Bush and his administration relentlessly pursued the war they wanted through an endless litany of lies and distortions, seizing on the 9/11 attacks to exploit the nation's fear and rage. Though he had long since decided to start a war there, Bush had to have the difference between Iraq's Sunnis and Shi'ites explained to him just two weeks before the invasion. While he assured Pat Robertson that our side would suffer no casualties, Bush's aides were making ridiculously low-ball estimates of the war's financial costs - no surprise, since anyone who didn't was fired. So while regime change was carried out swiftly due to the massive asymmetry in force capabilities, the occupation was bungled in every imaginable way. From lack of planning, understaffing, failure to secure explosives and munitions, indisriminate roundups of Iraqis into Saddam's reopened gulags, delegation of authority to inexperienced GOP operatives, and the infuriating looting of the entire capital (save for the oil ministry), it seems like Bush couldn't have done a better job of inspiring an insurgency if he'd tried to. So the war turned into a prolonged stalemate and Bush's presidency into the opposite of "successful." Apologists will point to the supposedly successful "surge" policy, which served, like Nixon's "peace plan" in Vietnam, to delay the inevitable withdrawal of our troops in order to save face and foist the blame for any continuing messiness onto his successor. And neither Bush nor Obama can claim any credit for bringing our occupation to a conclusion; essentially, the Iraqis kicked us out

3. The 9/11 Attacks: "You've Covered Your Ass." 
There are any number of legitimate unanswered questions about the backgrounds of the 9/11 hijackers, the forces behind them, and the events of that day. You could set the all aside and still look at the Bush Administration's handling of 9/11 as one of the biggest disasters in our history. Before, during and after the attacks, Bush and his aides displayed the familiar combination of hubris, arrogance and incompetence that marked so many other of their policies. As has been amply documented, Bush and his key advisers repeatedly downplayed and ignored the threat of terrorism in general and al-Qaeda in particular, up to the point of threatening a veto if FBI funding were diverted to counterterrorism efforts. In the weeks leading up to the attacks, a series of warnings came from multiple intelligence sources, culminating in the infamous August 6 memo "Bin Laden Determined to Strike in US." The president responded to his briefer with the quotation above, and then went fishing. In the aftermath of the attacks, Bush, as previously noted, was quick to capitalize on them to advance his political agenda, as he and his allies painted anyone who dared to disagree with him as traitors. History might be kinder if he had also presided over an appropriate response, but history shows he spectacularly botched the capture of Bin Laden and quickly diverted our resources to his long-planned Iraq war. While, to be fair, counterterrorism efforts have improved markedly since that point, it's a stretch to assert, as his defenders inevitably do, that "he kept us safe." Claiming "no terrorist attacks on US soil after 9/11" conveniently ignores the unsolved anthrax attacks, the DC sniper case, and the LAX shooter. But the weasel words "US soil"obscure the rising rate of terror attacks killing US citizens across the globe during his watch. 

Stay tuned for:

4. Afghanistan: Our Longest War
5. Civil Liberties: You're Killing Me
6. Kyoto and Beyond: Trashing the Planet 
7. The CEO President: Bush's Worst Hires
8. Katrina: Abandoning New Orleans
9. Assaulting Democracy, from Forida Onward
10. And, Oh Yes, Crashing the Global Economy 

Monday, April 8, 2013

Monday, December 31, 2012

That Was the Year That Was

It's time now for a year-end list enumerating my favorite music from the past 52 weeks. Every December I send in my votes to the Village Voice's Pazz & Jop critics' poll (the results of which are due in a few weeks). To arrive at my Top Ten list, I run through my iTunes folder for the year (about 800 songs), forming about a dozen different playlists of 18-22 tracks each. These I burn onto CDs and hand out as holiday gifts to friends, family and colleagues. In this way I serve a a bridge between those who know a lot more about music than I do, and those who lack the time or passion to track down as much new music as me. In the process of selecting and refining tracks for these lists, I winnow down my favorites to the ones that have the most emotional resonance for me.

This year the Dirty Projectors (pictured above) ended up on the top of the heap with their masterful 7th album, Swing Lo Magellan. More on them below; the various sub-lists leading up to the master list went as follows:

Avant: These bands are all, if not cutting edge in the way the term avant-garde implies, possessed of a shared aesthetic involving quirky and angular rhythms, melodies and harmonics. The Projectors have always been my favorite in this genre, but this year featured a bumper crop of releases from bands such as Tame Impala, Micachu and the Shapes, Deerhoof, Yeasayer and previous Pazz&Jop champs Animal Collective. My tied #1 faves from last year, Tune-Yards and St. Vincent, fit comfortably into this category (the latter showed up on this year's playlist with a collaborative effort with David Byrne, while the former contributed a track to the Red Hot + Riot 2 compilation). This year I was lucky enough to see both Garbus and Clark when their brief tour rolled through Tucson, and caught another great quirk-rock double bill, Of Montreal and Deerhoof, at the same venue. I once made a mixtape called "Kid B," celebrating the collective lineage of these bands from the world's strangest #1 album. But another antecedent, Public Image, Ltd., showed up with a welcome comeback entry this year as well.
Dirty Projectors: Gun Has No Trigger

Americana: This list spans the turf covered by trad country and folk at one end, alt-country and country rock at the other, and everything in between. The massive success of Mumford & Sons proved once again that you don't have to be American to do Americana, but it helps. I'm not immune to their charms but this year I was bowled over, like many others, by the timeless tones of Alabama Shakes - folks apparently born 40 years too late, but fitting in fine nevertheless. It was great to hear from oldtimers like Nanci Griffith, Dwight Yoakam and especially Iris DeMent (pictured). I remember playing their stuff when I worked for the world's greatest Americana radio station, KPIG, in Freedom, CA. Younger folks like Ned Sublette and Kellie Pickler came on strong. Kelly Hogan made one of the year's best albums, but for me the single of the year was Willie Nelson's remake of Pearl Jam's "Just Breathe."
Willie & Lukas Nelson: Just Breathe

Catchy: Thanks to my kids I listened to a lot of Top 40 radio this year, and there was an awful lot of ear candy. This had to be one of the best years for catchy tunes since the early 90s, if not 1984. I certainly   couldn't resist the relentless ubiquity of "Call Me Maybe" and "Gangnam Style," or their myriad parody videos. My boy loved Neon Trees and Maroon 5 and my girl was fond of Ellie Goulding's "Lights." Of course there was plenty of crappy stuff on the radio, too (I'm lookin' at you, Flo Rida) and a lot of great tunes that never got within a mile of a radio playlist. Kishi Bashi wowed me when he opened for Of Montreal last fall, and his "Bright Whites" has a certain indelibility to it that deserves wider exposure. Even better is the awesome single "We OK" from the Very Best. Radio formats opened up a bit wider than in recent memory, with room for a little country twang and indie crunch amid the divas and thugs. But it's still a long way from the freedom that DJs used to have. More's the pity.
The Baseballs: Call Me Maybe

Elders: 2012 was a great year for the eligible-for-senior-discounts crowd, with none stronger than my man Zimmy. Dylan's Tempest was another winner in an unbroken series of late-career albums stretching back to 1997, this one making the transition from cynical and cranky to downright ornery. But others in his cohort, including Brian Wilson, Leonard Cohen, Dr. John and Bonnie Raitt also showed up with documented proof of the value of wisdom and experience. McCartney showed his versatility by starting the year showing off his crooning powers via a set of pre-rock standards, and finished by taking the Kurt Cobain chair in a Nirvana reunion. Fine entries also from Patti Smith, Jimmy Cliff, Santana, and the comeback of the year came from Bobby Womack (pictured). There were also splendid posthumous releases from George Harrison, Joey Ramone, and the Rolling Stones. Oh wait...
The Rolling Stones: Doom and Gloom 

Electronica: This is the real cutting edge, where the music of the future is being assembled, though I guarantee it sounds better through club speakers than on that laptop in front of you. Even Rolling Stone readers know who Deadmau5 and Skrillex are, but for my money the choicest beats of the year came from Flying Lotus, Dan Deacon and Andy Stott. I got a kick out of Scissor Sisters' "Let's Have A Kiki," and efforts from Matt Zundel, Crystal Castles and Todd Terje, how you say, "reward repeated listenings." My daughter really liked Swedish House Mafia's "Don't You Worry Child." Too bad they broke up.
Flying Lotus: Until the Quiet Comes

Not So Fast: This is the mix I always give my mom, filled with the year's less-frenetic music. There is some lovely work on Calexico's latest, as well as from next year's star/this year's critic's pet Jessie Ware. Usually louder bands like White Denim and the Dum Dum Girls contributed some hushed ballads, ("Lord Knows," and "Get Back to Love," respectively) and Canadian Invasion stalwarts Metric gave us the haunting "Speed the Collapse." If you like this sort of thing, you should know about Patrick Watson, Ariel Pink and TV Girl, and either way, you want to check out "Adorn," by Miguel, (channeling Marvin).
Miguel: Adorn

Obits: This is the only playlist I put together that is not full of music from 2012, and as such it's no help at all in compiling my ballot. On the other hand, it's usually one of the coolest mixes of the year, comprised as it is of all the finest musicians who passed away during the year in question. This year we lost some awesome nonagenarians, from Ravi Shankar and Earl Scruggs to Kitty Wells and Doc Watson (Not to mention centenarian Elliot Carter). Also, unfortunately, quatragenarian Adam Yauch (pictured). My mom waved goodbye to Andy Williams, and my wife to Robin Gibb, as I did to Davy Jones. Etta James and her mentor Johnny Otis passed the same year, as did disparate guitar virtuosi Terry Callier and Mickey Baker. Certainly the world will never see another like Levon Helm, who, like Etta, I had the good fortune to see onstage. A tip of the hat also to Fontella Bass and Mike Auldridge, who died too late in the year to get onto the tribute CD.
Levon Helm: Ophelia

Rock On: For those who find "less frenetic" to be synonymous with "soporific," this playlist celebrates the louder sounds of the year, not least of which is Joan Osborne's thunderous take on Slim Harpo's "Shake Your Hips." The aforementioned Rolling Stones stand up just fine next to rockers half their age, including comeback efforts from Soundgarden and Bad Brains. Japandroids and Ty Segal made some of the year's best albums, and newcomers The Men and Gary Clark Jr. came on strong. I would be remiss if I did not mention The Hives, a breath of fresh air to anyone who needs their ass rocked. Props also to the amazing Sleigh Bells, and, as always, to Mr. Jack White.


Urban: This is the playlist for your NSFW rap and hip-hop tunes. I'm partial to The Coup and Killer Mike, but also bow to the inevitability of Kendrick Lamar and Frank Ocean. Last year's contenders Shabazz Palaces contributed a cool single, "Bop Hard." I also really like the Knux, and totally got off on "Wut," a tune by Le1f (not sure how to pronounce your name, dude). Still don't know if Die Antwoord (pictured) is a Spinal Tap-style parody or not, and enjoy it either way. Danny Brown is one of my favorite new rappers, and gotta give props to Nas, now and forever. Look also to Macklemore's "Same Love" and Saigon's "Rap vs. Real."
Le1f: Wut

Women: Always offer this playlist to offset any testosterone imbalances, though the Avant, Catchy and Americana lists are generally full of strong female voices. Strongest of the year, though, is Fiona Apple, whose The Idler Wheel... is not easily pigeonholed into any recognizable genre. Love her or hate her, Lana Del Rey's "Born to Die" is a killer single in any year. On this list we also find the comeback effort from Garbage, the impossible catchy single from Norah Jones, and the underground sensations THEESatisfaction. Cat Power and Bat for Lashes are here, and Kelly Hogan, Iris DeMent and Bonnie Raitt visit from other playlists. I will always love Regina Spektor, likewise Santigold. And how could you not include Alicia Keys teaming up with Nicki Minaj?
Fiona Apple: Every Single Night

World: My world music playlists are usually strong on music from Africa, Latin America and the Middle East, even though it's a bigger world than that out there (still searching for that Antarctic folk sound). Nevertheless, entries from Greece and Indonesia fit in just fine amidst fine efforts from superstars like Cafe Tacvba and Amadou & Mariam. Amazing debut effort from Fatoumata Diawara, great sophomore work from Bomba Estereo, and awesome compilation Ondatropica. Like many others, I was bowled over by the Debo Band and the Egyptian Project. But my favorite world album of the year was En Yay Sah by Janka Nabay and the Bubu Gang. More of that, please!
Janka Nabay and the Bubu Gang: Eh Mane Ah

So after all that winnowing and gleaning from such a wealth of musical riches, what did I end up voting for? Stay tuned...

Thursday, November 8, 2012

Thanks, Republicans!


I want to take a moment to thank the Republican party for working so hard to make themselves unelectable.

It helped that the last GOP president crashed the world economy and trashed our foreign policy, but they didn’t stop there. They managed to alienate key demographics: Latinos, by blocking immigration reform; young people, by promoting retrograde social policies; women, by blurting outrageous comments on rape and contraception; and seniors, by plotting to voucherize Medicare.

Their media pundits, with their relentless focus on Rev. Wright, birth certificates and Benghazi, made it clear to undecided voters that Republicans had no meaningful solutions to discuss.

And even though the Supreme Court allowed a torrent of corporate cash to sweep the 2010 midterms and gerrymander the House, Republicans trashed their own brand by blocking jobs bills, focusing instead on banning abortion and repealing new heath care benefits for millions of Americans.

And don't even get me started on the presidential candidate; he was the gift that kept on giving - not that they had anyone better to choose from.

Thanks, Republicans, for helping to re-elect Obama, institutionalize Obamacare, and lock down the Senate! We couldn’t have done it without you!

And PS: Even though you may have nailed down the Speaker's gavel for a while, I think we can count on you to overplay your hand again. Hey, don't ever change!

Tuesday, November 6, 2012

We Shall See


Here are my predictions; with them and five bucks, you can obtain a caffeinated beverage.

I keep wavering between 303 and 332 electoral votes for Obama. As an optimist, I'll take the latter, which means he takes Florida. 

The Blue team will pick up a seat or two in the Senate, which is a huge thumb in the eye to the GOP. And the Blues gain from 18-22 seats in the House, just tantalizingly short of making John Boehner cry. 

Arizona will be closer than you think, but I still don't know if Carmona defeats Flake. Torrent of money says no, but torrent of Latino votes means yes. Tucson reps Grijalva and Barber both win handily, but I'm watching Ann Kirkpatrick's comeback bid in AZ-01. Beep! She just sent out another email as I type. 

I predict the Republicans will claim the Dems cheated, and too many will take them seriously. And I predict I will have a festive potluck party tonight to determine which of the above words I will eat.

How are things in your state?

Monday, August 20, 2012

The Next World and Welcome to It

This may mean nothing except to those of a certain age, but William Windom has passed. He was the star of one of my favorite 60s sitcoms, My World and Welcome To It. A rare slice of erudition among a torrent of sitcom silliness, it lasted two seasons, won two Emmies (one of them for Windom's acting), and was summarily cancelled. The show was based on the stories and cartoons of the great James Thurber, and featured animated segments mixed with the live action.

60s sitcoms were famously pitched to appeal to the 12-year-old mind, but I turned 12 in 1969, the year MW&WTI debuted, and I loved it more than any other  –with the possible exception of The Addams Family (1964-66) also based on the work of a New Yorker cartoonist. Windom's show led me to Thurber's writings, which I gobbled up forthwith, along with those of our other great American humorists, Twain and Vonnegut.

Mr. Windom had a successful career, with many other TV roles (including Commodore Decker on Star Trek), and a one-man stage show based on Thurber's work. Condolences to friends and family.

Condolences likewise go out today for director Tony Scott, who helmed True Romance, one of my all-time favorite movies.

Saturday, August 18, 2012

Happy Ringoversary!

As reported here, among other places, today marks the 50th anniversary of Richard Starkey's first gig with the Beatles. A lot of attention was paid to the Stones recently having hit the half-century mark, and due commemoration was paid to that band's first-ever gig. But according to Keith Richards, that date does't really count; the Stones weren't really the Stones for him until Charlie Watts became their drummer (on an unknown date in January of 1963).

Likewise, while history was made the day John met Paul, the Beatles weren't really the Beatles as we know them until Ringo sat behind them at the drum kit that 18th of August in 1962. Ringo's personality, his affable singing voice, and his studied avoidance of instrumental ostentatiousness helped cement the Beatles sound and laid the foundations for their success.

According to Mark Lewisohn's definitive Complete Beatles Chronicle, the gig began shortly after 10pm, (afetr a two-hour rehearsal) at Hulme Hall in Birkenhead, in celebration of the local Horticultural Society's 17th anniversary. And according to John Lennon, while the Beatles might have made it without Ringo, it's also probable that Ringo would have made it without the Baetles (though maybe not quite so far):
Ringo was a star in his own right in Liverpool before we even met. He was a professional drummer who sang and performed and had Ringo Starr-time and he was in one of the top groups in Britain but especially in Liverpool before we even had a drummer. So Ringo's talent would have come out one way or the other as something or other. I don't know what he would have ended up as, but whatever that spark is in Ringo that we all know but can't put our finger on — whether it is acting, drumming or singing I don't know — there is something in him that is projectable and he would have surfaced with or without the Beatles. Ringo is a damn good drummer.
Ringo's drumming is often underrated and occasionally denigrated, but listen to his work on "Rain" and "Tomorrow Never Knows," to cite a couple out of many outstanding examples. Moreover, most Beatles songs didn't call for the kind of drumming that Watts or Keith Moon excelled at. It's true that Ringo's solo career served up a number of cringe-worthy moments (as did his colleagues', in smaller ratios), along with some nice pop ear candy. But since sobering up, Ringo has taken his songwriting and recording work more seriously, and has delivered credible efforts in the latter years. So, for instance, give a try to this collaboration with Eric Clapton, a tribute to their mutual pal George. And a happy Ringoversary to you!


Tuesday, July 10, 2012

Book Tour Update

My booksigning appearance at Kepler's on July 18 has been relocated. The bookstore is doing some remodeling this month, so the event will take place just down the road apiece at the Redwood City Public Library. So meet me in the Fireplace Room at 7pm. Here's the revamped poster for the event:


But that's not all. Kepler's also offered to host a second event at their sister store in San Francisco, Booksmith. That will take place on Monday, July 23 at 7:30 pm. The store is at 1644 Haight Street, and the downloadable poster is below. Hope to see you there!




Thursday, June 7, 2012

Join me at Kepler's, July 18

I will be at Kepler's Books & Magazines in Menlo Park CA, on Wednesday, July 18, discussing and signing copies of "The Fully Revised and Updated Second Edition" of The CIA's Greatest Hits. Hope you can join me there, and if not, pass this message on to somebody who can. Here's a poster for the event (if you click to enlarge or download the file, it should print out in fine detail):


Monday, May 28, 2012

Monday Random Ten #37

Here are the first ten songs to pop up on my iPod; Artist/ Song/ Album:

1. The Casuals/ Toy/ Toy - single

2. Lyle Lovett & his Large Band/ Up in Indiana/ It's Not Big It's Large

3. Dum Dum Girls/ Bedroom Eyes/ Only in Dreams

4. Ruth Brown/ It's Love Baby (24 Hours a Day)/ Miss Rhythm

5. The Rolling Stones/ Pain in My Heart/ The Rolling Stones, Now!

6. Ashton Shepard/ Look It Up/ Where Country Grows

7. Steve Goodman/ A Dying Cub Fan's Last Request/ Affordable Art

8. Bob Dylan & the Band/ All Along the Watchtower/ Before the Flood

9. Echo & the Bunnymen/ Bring on the Dancing Horses/ Songs to Learn and Sing

10. Jenny Lewis/ Acid Tongue/ Acid Tongue